Music for the Eyes 2025#4

This painting unfolds as a densely layered orchestration of colour, pattern, and rhythm, where circles and arcs collide in a visual polyphony. Circular forms dominate the composition, overlapping and interlocking like gears or orbital paths, suggesting motion, continuity, and cyclical time rather than fixed geometry. Dark, curving bands act as connective tissue, guiding the viewer’s eye through the painting while anchoring the chromatic intensity.

Colour is used not simply for contrast but for rhythm: saturated yellows punctuate the composition like visual accents, while cooler blues and greens provide counterbalance and pause. Pinks and purples soften transitions, allowing the composition to breathe despite its density.

Beneath its decorative exuberance, the work reveals a disciplined compositional logic, balancing chaos and order. The result is a painting that reads less as a static image and more as an immersive, rhythmic experience; an abstract system alive with energy and syncopation.

Scale

Exhibitions

Sep 16, 2026 - Sep 16, 2027​ Now
11 Rue de l’Arbalète, 51100 Reims, France
Sep 16, 2026 - Sep 16, 2027​ Now
Jul 2, 2026 - Jul 1, 2027​ Now
Galeries Saint Martin: Arcachon & Saint-Tropez, France
Jul 2, 2026 - Jul 1, 2027​ Now
Apr 15, 2026 - Jul 15, 2026​
Feel Art Gallery – No.1906, WAY 53, SOUTH-GHUBRAH, MUSCAT, OMAN
Apr 15, 2026 - Jul 15, 2026​
Feb 7, 2026 - Mar 7, 2026​
Intent Gallery, Boulevard Heights Building – Unit BH-G-R10, Tower 2 – Downtown Dubai, UAE
Feb 7, 2026 - Mar 7, 2026​
Oct 24, 2024 - Oct 28, 2024​
Taipei World Trade Center
Oct 24, 2024 - Oct 28, 2024​
Apr 4, 2019 - Apr 12, 2019​
Fine Arts Museum, Ho Chi Minh City, Vietnam
Apr 4, 2019 - Apr 12, 2019​

About the art

Stripes, grids, and cross-hatching vibrate against one another, creating a sensation of movement that feels both playful and rigorously structured.

The surface is meticulously activated through an accumulation of hand-rendered patterns—stripes, grids, dots, and woven textures—that give each colour field a tactile presence. These micro-patterns prevent flatness; instead, they create subtle vibrations as adjacent areas alternately harmonise and clash.

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